Repugnant Review: The Devil\’s Honey (1986) – Lucio Fulci

The Devil\’s Honey, written and directed by the \”Godfather of Gore\” himself, Lucio Fulci. Although, this movie wasn\’t the \”normal\” Fulci film that I\’m used to, considering it didn\’t have… well, gore! That\’s not an issue with The Devil\’s Honey though, because I honestly found this completely interesting, and it\’s probably the most emotionally complex of all the Fulci films I have ever seen. Yes, I bought it cause it was advertised as \”sleazy eurotrash\”, but I felt it went above and beyond, truly showcasing Fulci\’s film-making versatility when it came to the erotic thriller genre. I feel that the Devil\’s Honey is a deep, and brutal film about dealing with abuse, remorse, and revenge… and I\’ll explain (of course this is all my opinion, and I mean, what do I know, Fulci could of just been going for the sleaze-fest that it was advertised as.)

The film\’s main characters, Johnny and Jessica, are absolutely in love, or I guess, in lust with each other. Johnny is a sax player, and a perverted sex maniac. Every time Johnny and Jessica have a moment alone, they just begin fucking, and taking part in other sexual acts. Probably the most famous scene in the movie is when Johnny gets Jessica off by playing a sax solo directly into her pussy. It\’s insanely erotic, but a lot of that lovey dovey stuff takes a dark turn, and that\’s when we begin to see the perverse side of Johnny. He was sexually abusive, making Jessica do things that she didn\’t want to do such as record home videos, and there\’s even a nasty scene involving forced sodomy. During this brutal affair, we are introduced to Dr. Simpson, a surgeon who is in a crap marriage, and spends most of his time either banging hookers, or focusing on his work. Between the wretched romance between Johnny and Jessica, mixed with the manic adulterer Dr. Simpson, The Devil\’s Honey takes a brutal turn for the worse.

During a motorcycle ride with Johnny, Jessica is forced to play with his ding-dong while he rides. As soon as they get back to their place, Johnny begins to fool around on his bike, teasing Jessica. One bad turn and Johnny falls off the bike and strikes his head on a rock. All is well at first, but then he passes out at a recording session, and is rushed to the hospital. While this was going on, Dr. Simpson\’s wife tells him that she wants a divorce, and this absolutely throws off the doctor. This is when we find out that Dr. Simpson is the one who\’s going to operate on Johnny, but due to the stress of the soon-to-be divorce, he fucks up, and accidentally kills Johnny. Overcome with grief, Jessica vows to get revenge on the doctor that took her love\’s life. This is where the film gets very interesting in my opinion, because this is where we get to see the inner thoughts and confusion with Jessica, and her battle between revenge, and dealing with the trauma of her relationship with Johnny.

So Jessica eventually kidnaps Dr. Simpson, and ties him up at her house. It\’s quite a vicious display, with Jessica making the doctor eat dog food, whipping him, and teasing him with her body, as she is basically naked throughout these torture sequences. Meanwhile, she keeps looking back to her relationship with Johnny, and slowly realizes how cruel and perverted he truly was to her. This was my favorite part, because I think she was really able to get over the pain that she built up over the years being with Johnny, and coming to the realization that this revenge plot wouldn\’t of done a damn thing anyway. An interesting thing about the Doctor is that he kind of begins to fall for his captor, and really sympathizes with her. Eventually, both of these tortured souls embrace each other, and the film ends of sort of a good note. i mean, that\’s what i got out of it.

The Devil\’s Honey was just great. It was beautifully shot, and that\’s one thing that I\’ve been noticing with a bunch of Fulci\’s less splattery works. The story won me over, as it was emotionally complex, and Jessica was just the most sympathetic character in any movie I\’ve seen in awhile. I honestly felt for the girl, and I think this movie tastefully showcased the horrors of a toxic relationship, and the grief involved with someone living with sexual PTSD or what have you. One man\’s sleaze, is another man\’s deep emotionally driven thriller. I loved it, and I am definitely going to watch it again. This is the perfect movie for a Fulci fan who is unaware of his less gory works. You can actually get this movie in gorgeous HD thanks to Severin Films, so pick up the blu-ray, watch it, and let me know what you think!

J.R.

Repugnant Review: Demons (1985) – Lamberto Bava

What do you get when you combine the deranged minds of Lamberto Bava and Dario Argento? A stunningly insane splatter flick with demented demons and a kick ass metal soundtrack! For me, this movie the the pinnacle of 80\’s splatter, with it\’s outrageous gore effects, memorable characters, solid but simple story, and a list of metal tunes you can bang your head to while you watch a theater of people getting ripped apart my demons. But let\’s dive deep into the Bava directed, Argento produced splatter shocker that still has folks squirming with gore-soaked glee. This is DEMONS.

After having the shit scared out of her, and mistaking a masked weirdo handing out tickets for some deranged stalker, Cheryl accepts the ticket offer and meets up with her friend, Kathy. It takes a little convincing, but Cheryl gets her friend to go to this new theater that just opened up. Once in the theater, we are introduced to a huge array of characters. Some of the notable ones include two preppy dudes, George and Ken, who immediately begin hitting on Cheryl and Kathy. There\’s a blind guy and his daughter, who I always thought was his wife for some reason, a couple of the geekiest but innocent teens out on a date, and my favorite, the pimp and his two hookers. In the lobby of the theater is this samurai warrior riding a dirt bike, holding a sword, and a silver mask. One of the hookers puts the mask on, but gets scratched by it. Once everyone enters the theater, they are treated to a horror film about a group of teens breaking into the tomb of Nostradamus. The teens in the movie only find a book, and a mask that looks exactly like the one in the lobby. At the same time, the hooker who got scratched by the mask starts to get sick, and goes to the bathroom. This is when shit starts to go down.

The scratch on her face begins to puss and ooze, and she begins to transform into a heinous demon. The other hooker goes to the bathroom to see if she is okay, but she is attacked and thrown through the movie screen. Hooker number two begins to transform, and holy fuck it\’s gross. When I say gross, I mean that in the best way possible. The transformation scenes are so disgustingly brilliant, that even I was squirming in enjoyment. The hookers teeth begin to be pushed out by the new fangs replacing them, and if you\’re like me, anything with teeth really freaks me out. Teeth and fucking nails, can\’t stand it. One by one, the audience is either butchered and maimed by the infected, or they become Demons themselves. Even the theater is cursed, with all of the entrances being walled up by bricks, and no one is able to exit. It isn\’t until a bunch of coked up punks break into the theater to escape the police, which they soon meet their demise by the Demons, and then said Demons escaping into the city, causing more havoc.

This movie is just berserk, and I\’d give you more but I really don\’t want to spoil anything besides the basic premise. It\’s just that enjoyable. DEMONS is an unrelenting splatter movie that keeps your eyes glued to the screen from beginning to end. Whether you think the story of movie-goers being stuck in a cursed theater, and getting killed by hoards of demons is corny, it\’s full of incredible special effects and camera-work to keep you fixed into a daze of pure blood lust. Grab a group of friends, get a bunch of snacks, and pop in a copy of DEMONS. You won\’t regret it, and if you\’re like me, DEMONS will be part of every marathon you have in the future. I have the uncut version that Anchor Bay put out over a decade ago, but this has been re-released a bunch of times since then, and I don\’t think you would have an issue finding it. Let me know what you think, and enjoy!

\’Brutal Massacre: A Comedy\’ is Ridiculously Underrated

It\’s always fun to go through the horror groups on Facebook, or find small indie horror forums, just to find the one person that references the horribly underrated mockumentary BRUTAL MASSACRE. Whenever I mention it to other friends and cult movie goers, 95% of them have no idea what I\’m talking about. It just blows my mind that a lot of people are unaware of this movie, and I\’m writing this because I want more people to check it out. Honestly, it\’s got to be one of my favorite comedies ever made, so here\’s a completely biased review of BRUTAL MASSACRE: A COMEDY.

BRUTAL MASSACRE was released in 2007, written and directed by Stevan Mena. You may know Stevan from his other work such as Malevolence and Bereavement, two solid slasher films that, if you haven\’t already, should watch. But I\’m not talking about his horror films, I\’m talking about his comedy about a horror filmmaker trying to make his next big film. This movie stars David Naughton (An American Werewolf in London) as Harry Penderecki, a horror filmmaker struggling to create his new \”masterpiece\” after years of failure, and his film crew which consists of one of the best cast lineups in any cult movie. Brian O\’Halloran (Clerks), Gunnar Hansen (The Texas Chainsaw Massacre), Ellen Sandweiss (Evil Dead), Betsy Baker (also Evil Dead), Ken Foree (Dawn of the Dead), and Gerry Bednob (The 40 Year Old Virgin). The movie has horror film nostalgia all over it, and that\’s where most of the comedy comes from in this. If anyone has ever made a short film, or a full on low budget feature length film, you already know all of the bullshit that goes into making a movie. BRUTAL MASSACRE is essentially breaking down ever aspect of the film-making process, well, as if every bit of the making of this movie was doomed from the start. Everything from pitching the film to some rich asshole who wants to change every bit on the script, to casting, pre-production, inexperienced special effect techs, etc etc. Anything that could go wrong on a film set, happens in BRUTAL MASSACRE, and it is hilarious from beginning to finish.

Fangoria Magazine refers to this movie as \”The Spinal Tap of horror films\”, and that\’s essentially it. The offbeat humor and dry delivery of the dialogue is what makes this movie so great. David Naughton is just so awkward and goofy, and just completely unaware of his surroundings. Every time he takes one step forward, his film and crew take five steps back, and he spends most of the movie trying to round up his crew without committing suicide in the process. Other than David Naughton\’s portrayal of Harry Penderecki, Gunnar Hansen as the drunken Vietnam vet was the funniest character in the movie. He has some of the best one liners I have ever heard, and I quote them all the time. Even the other day my girlfriend was asking me to go to the store to get some things, and we joke around a lot so she was pretending to be a major asshole. That\’s when I yelled \”I WAS IN THE NAM, PUSSYFART. I\’LL TWIST YOUR HEAD OFF AND GO BOWLING\”. She didn\’t know what to say, and I was just cracking up… I mean as all 26 year old man-children would after yelling \”PUSSYFART\”.

I understand that most people wouldn\’t get the humor or the film-making process, especially when all of the inside jokes refer to horror films, but BRUTAL MASSACRE even seems to be underrated in the horror community, and I don\’t get it. You\’d think with a cast like this, and a story as funny as a low budget film-making crew making a ridiculous movie, would appeal to the typical horror nerd. Of course, like I mentioned, this is completely biased. I saw this movie when I was in high school and it just stuck with me. I personally find it hilarious, and as someone who has made a few short films, I just got it. I think it\’s just one of those niche films, where you really got to be into horror culture and film-making to really get it. Maybe you don\’t either, and you like off-beat, dry humor. I\’ve read a bunch of negative and positive reviews, and usually it\’s directed towards the humor aspect or the self-deprecating of the indie film-making process, so I can see it as a movie that you either like or dislike. But, I\’m one of the guys who loves it. I\’m a nerd who\’s into making movies, and that kind of humor, so whenever I interact with other horror fans I always like to reference BRUTAL MASSACRE to see if they know what I\’m talking about. I\’m a fan, what can I say.

I know you can find this movie cheap on amazon and other streaming/rental websites, so if you have the couple extra bucks to blow on a movie, definitely pick up BRUTAL MASSACRE. I think it\’s just a great movie for the typical horror nerd, or the aspiring film-maker, or someone who just enjoys a good comedy. I\’ll post the amazon link and trailer below, and if you purchase it, let me know what you think! I\’m always wondering how all of you react to the movies I like to write about, and if you want to chat and discuss more movies, you can always follow me on twitter or instagram as @jakeisrepugnant. Hope you enjoyed this completely biased, ultra-fan review of BRUTAL MASSACRE, and I hope to hear form you soon. Thanks!

J.R.

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VHS//Sunday: H.P. Lovecraft\’s The Unnamable (1988) Jean-Paul Ouellette

I figured since I was going to revamp this blog, I would add some weekly and recurring segments to spruce it up a bit. Here comes VHS//Sunday, an article dedicated to those who want to relax with a good tape. It\’s always been a ritual of mine. I would make myself a coffee, pack myself a bowl, and pick out a few tapes to watch. It can range from some obscure horror film to old nostalgic cartoons, but since this is primarily a horror and exploitation blog, I\’ll stick with the gruesome shit in my collection. And for this blogs first VHS//Sunday post, I wanted to watch the obscure horror classic THE UNNAMABLE, based on the 1925 short story by H.P. Lovecraft.

I\’m a sucker for anything related H.P. Lovecraft. Whether it\’s based on his work, or influenced by, there are a handful of films based on his work that I just absolutely enjoy (Re-Animator/From Beyond comes to mind.) But The Unnamable is one that has eluded me for some time. Luckily, a few months ago, I found The Unnamable at the Dudley Flea Market and payed just a buck for it. Just a few weeks after that, that same flea market closed due to pipes exploding and destroying everything inside. I was lucky as fuck to have found it, because I guess it\’s fairly hard to find. After I moved into my new apartment, I finally took the time to go through, and watch a bunch of tapes that I\’ve been neglecting. The Unnamable was the first to catch my eye, amidst the stacks of old VHS I\’ve been collecting for years. I got prepped with my pipe and snacks, tossed it in the VCR, and hit play.

The Unnamable is a 1988 horror film written, produced, and directed by Jean-Paul Ouellette. The VHS I have is the VIDMARK original uncut version, which I saw on Ebay for about $20 to $30. I was lucky considering I spent a measly $1 on it, and the quality of the film and box is superb. The film is essentially a haunted house movie, with the basis of the original Lovecraft story being about two college men going into an old and cursed house in a cemetery, and being attacked by some indescribable beast. Of course with all film adaptations, the filmmakers are going to change a few things. Take the haunted house story, and add a few teenagers, blood, and some great creature effects, and you have Jean-Paul Ouellette\’s version of The Unnamable.

The Unnamable begins in the old Winthrop house, where Joshua Winthrop tries to calm this screaming creature that he keeps locked up one of the rooms. He fails, as he\’s brutally murdered by the creature. Skip to about 300 years later, and we have three men sitting in a cemetery talking about The Unnamable, an entity that haunts the old Winthrop house near Miskatonic University (sound familiar?) Randolph Carter, who in the Lovecraft mythos is mentioned a few times, gets his friends going about this supposed creature named The Unnamable. His friend Joel is eager to go into the house. When Randolph and their other friend Howard refuse to go into the house, Joel sets off on his own. After Joel doesn\’t come back for some time, Randolph and Howard go back to the Winthrop house to find him. Add a small love triangle and a couple more teenagers who want to bang inside the house, and now you got the making for a monster-slasher movie.

This was honestly a very fun movie. The acting was very good, especially Mark Kinsey Stephenson who portrays Randolph Carter. It has that bleak Lovecraft gothic atmosphere and the sets are very solid. I also wasn\’t expecting it to have lots of blood and gore, so it was a surprise to see people get their throats ripped out, beheaded, and heads smashed open. The special effects were pretty remarkable, especially when it came to the monster suit, and I have give the actress Katrin Alexandre a lot of credit for her incredible portrayal as the monster. The Unnamable is a great watch, and I\’m surprised that many people are unaware of it\’s existence. It\’s a solid horror film with a great cast, and a lot of great gory gags. I highly recommend this to anyone who can find it, or if you wait a little bit, you can find it soon on Blu-ray when Unearthed Films releases it in October! I\’ll post the links and trailer below, and let me know what you think!

J.R.

UNEARTHED FILMS

I\’M BACK – A Return to Repugnance

Hello everyone, how the fuck is everyone? If you\’re wondering what I\’ve been up to since last posting in January, continue reading.

This year I officially moved into my new apartment with my girlfriend, and recently found a new job. It\’s been a bit chaotic lately, but I couldn\’t be any happier. I finally have room for all of my shit! And now that I have the internet back, I can get back into watching and reviewing fucked up and ridiculously distasteful movies. I\’ve been dying to get back into this blog, and I miss sharing my love for these kind of films all over. It\’s been a blast connecting with others on Twitter and Instagram with the same devotion to the vulgar, bizarre, and brutal films of the world, and I\’m going all in with the content I\’d like to bring to you with The Repugnant Playhouse. The second half of 2018 is going to be one hell of a time, and I promise to deliver on the REPUGNANCE.

MORE GORE. MORE VULGARITY. MORE NEKKIDNESS.

J.R.

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Repugnant Review: The Black Gestapo (1975) – Lee Frost

Written and Directed by Lee Frost

Starring Rod Perry and Charles Robinson

Written and directed by Lee Frost, The Black Gestapo is a Blaxploitation film about The People\’s Army and its struggle to regain power in the city of Watts. A White mafia terrorizes the city by extorting money out of local Black shop keeps and business owners, and The Peoples Army, led by General Ahmed (Rod Perry), try their best to keep things civil in their hellhole of a city. General Ahmed\’s right hand man, Colonel Kojah (Charles Robinson), asks his leader to form a more aggressive protection group to scare away the White Mafia. It works, but Colonel Kojah gets power hungry, and starts tormenting and extorting the people he once protected. With Nazi-inspired clothing, and hateful rhetoric, Colonel Kojah is now the big boss in Watts, and it\’s up to General Ahmed to fix both his oppressed community, and the originally peaceful People\’s Army that he once led.

I bought this film just by title alone. Kind of a social oxymoron, don\’t you think? Black. Gestapo. Normally, black people are the last thing I think of when I think of \”Gestapo\” or Nazi\’s, but it definitely plays out that way. I mean, these people didn\’t really kill anyone based on race or religion, but they did terrorize a city that they vowed to protect, and terrorized their own people to gain more power within. The only real similarity to anything Nazi in this film were the costumes. Typical Nazi uniform with arm bands and such, but other than that, I wouldn\’t really call them \”Black Nazi\’s\”, but fascist to a degree. I really enjoyed the character General Ahmed. He was a real middle man in this whole story. He not only wanted to protect his people from this wretched mafia, but he also wanted everyone to get along, and to keep drugs off of the streets. With Colonel Kojah abusing his own people, General Ahmed stood up for what\’s right to keep things civil, both for the city of Watts, and his fellow oppressed African brothers.

The Black Gestapo was a pretty entertaining flick. Lately I\’ve been looking for more obscure Blaxploitation, and a few people suggested this to me on Twitter. Found it on Amazon (came is as a Double-Feature with The Black Six) for about $5, and even though the quality kind of sucks, it was still a very decent watch. It\’s cheap, and incredibly low-budget, but it worked so well. The actors were fun, the violence was great, and the whole \”abuse of power\” story going on was very interesting. The People\’s Army may not have been as brutal as the Nazi\’s, but I wouldn\’t want to fuck with them anytime soon. Colonel Kojah was absolutely ruthless, and if you\’re sensitive about genital mutilations or torture, there is a scene in here that you might want to skip. Low budget, blaxploitation greatness that more people need to check out. I\’ll post a trailer and link below, so if you\’re interested, check it out, and if you\’ve seen it, let me know what you think. Enjoy!

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Jake\’s Top 5 Favorite Horror Films of 2017

2017 is gone, 2018 is here, and now we have a whole new year for new films to come out. I\’m not going to lie, choosing these films was tough, and this might be my most \”beta\” list yet. Beta, for the fact The Repugnant Playhouse prides itself on searching for some of the nastiest films the world has to offer. But these five films really stuck out for me this year, and if you haven\’t seen them yet, I suggest you do. Here is my top 5 favorite horror films of 2017.

5. The Void (released April 7th, 2017)

\”Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.\”

I felt that The Void was almost a love letter to H.P. Lovecraft and John Carpenter. With its incredible monster effects and gore, mixed with deep chair-gripping tension throughout, this was the sci-fi/horror of the year, and I consider it to be a modern gem. Hell hasn\’t been this fun since Devil\’s Rain!

4. The Devils Candy (released March 17th, 2017)

\”A struggling painter is possessed by satanic forces after he and his young family move into their dream home in rural Texas, in this creepy haunted-house tale.\”

I had so much fun watching this. Between the stellar cast and character connections, the fucking kick-ass soundtrack, and the dread filled atmosphere of the whole film absolutely won me over. Ethan Embry was just incredible as the struggling father figure trying to overcome the evil of that house. Another modern gem in my opinion, and I\’ll definitely be picking up the soundtrack soon. If you\’re into metal and Satan, this is the movie for you.

3. Get Out (released February 24th, 2017)

\”It\’s time for a young African-American to meet with his white girlfriend\’s parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.\”

It\’s not often you watch a horror film that touches on big social issues such as racism and inequality, but Jordan Peele grabbed these issues by the balls and made you uncomfortable right from the beginning. Get Out made me cringe, especially with a lot of the dialogue with what I call \”grandma-racism\”. It was subtle, but you know how awkward the whole situation is, especially if you look at it from a black perspective. It\’s a solid fucking movie, and it keeps you on your toes throughout the entire film. Not only is it one of the best horror films of the year, it\’s definitely one of the best films of the year.

2. The Autopsy of Jane Doe (released June 27th, 2017)

\”A father and son, both coroners, are pulled into a complex mystery while attempting to identify the body of a young woman, who was apparently harboring dark secrets.\”

Brutal body horror at its finest, The Autopsy of Jane Doe delivered in scares, atmosphere, and superb acting. From the moment you see the corpse of Jane Doe, you know there is something horribly wrong and you know you wouldn\’t be caught dead standing in the same room as her. It\’s unnerving through out, and it\’s one of the scariest films I\’ve seen in years. Even down to the minor details of the morgue and forensic investigating, it just seemed so real. You need to see this if you haven\’t. I know you\’ll love it.

1. RAW (released March 15th, 2017)

\”When a young vegetarian undergoes a carnivorous hazing ritual at vet school, an unbidden taste for meat begins to grow in her.\”

This movie was phenomenal. My main reason to even watching this was that it made people physically ill when they saw this at the Gothenburg Film Festival, and even though I didn\’t get sick watching it, the film is full of disturbing material. Visually it reminded me of Susperia, with some of the best color direction I\’ve seen in awhile. My eyes were just glued the entire time. Between a superb performance from actress Garance Marillier, the phenomenal direction by Julia Ducournau, and just the surreal visual experience as a whole, it\’s perfect. Writing about it for a second time on this blog, I consider it to be the best horror film of the year. A modern masterpiece in my honest opinion.

Repugnant Review: Jack Frost (1997) – Michael Cooney

Written and Directed by Michael Cooney

Starring Christopher Allport, Stephen Mendel, F. William Parker, Rob LaBelle, Shannon Elizabeth

I know what you\’re thinking… \”Jack Frost? That really stupid and creepy Christmas movie starring the great Michael Keaton?\”. Well, there\’s no Michael Keaton in the feature, but it\’s actually a hell of a lot better than that piece of shit. Jack Frost is a Christmas slasher film that came out in 1997 (a year before the shitty kids film Jack Frost), written and directed by Michael Cooney. The movie is about serial killer Jack Frost, who turns into a murderous snow man after getting into an accident with a truck full of genetic waste. Jack Frost then sets out to kill the man who threw him in jail. For watching this for the first time, I really enjoyed it.

Jack Frost is in league with the Full Moon Feature films, and what I mean by that is Jack Frost is a cheesy, hokey low budget slasher based around something as innocent as a snowman. Much like Puppet Master, the concept is really funny, but it\’s actually entertaining and pretty brutal at times. There\’s one great kill scene in this where Jack Frost strangles an old woman with Christmas lights, shoves a glass ornament in her mouth and breaking it, and then smashing her face into a box of ornaments, with the glass pieces sticking out of her mouth and face. I thought it was great, and the film is just full of absurd and hilarious Christmas themed murders.

It\’s silly, campy, hokey, whatever you want to call it, BUT… it\’s entertaining. Jack Frost is a great holiday slasher with lots of blood and campiness to satisfy any Christmas loving horror fan, and this will be part of my holiday marathon for years to come. Another great thing about this film is the appearance of the gorgeous Shannon Elizabeth (American Pie, Jay and Silent Bob Strike Back) in one of her first acting roles. Michael Cooney also wrote and directed a sequel which I was lucky to find on VHS at a local flea market, Jack Frost 2: The Revenge of the Mutant Killer Snowman (2000). I usually do a few holiday themed reviews but it\’s been a little hectic due to the holidays, but I have more one in me. Stay tuned, and let me know what you think about Jack Frost!

The Importance of Watching Exploitative Cinema

Since I\’ve been a child, I\’ve been obsessed with horror films. Friday the 13th, Nightmare on Elm Street, Halloween, you guys know the classics, but my whole life was turned upside down when I started getting into older grind-house and exploitation films. One of the first ones I ever watched was the infamous Salo, aka 120 Days of Sodom. I was shocked, disgusted, and I honestly didn\’t even know what to think of it. I felt absolutely numb by this film and it took me a couple days to re-watch it, just to figure out what the fuck I just saw. After my second viewing, I started to enjoy it, mostly for the fact that I was paying attention to the message that the film was trying to push into my skull, and now it\’s one of my favorite films. Salo was a film about fascism, and the abuse of power and corruption that fascist countries endured during World War 2, and by facing the horrendous imagery that Pier Paolo Pasolini\’s Salo throws at you, I was able to understand the message that film was conveying to its audience. These films are confrontational, and they make you think about certain disturbing topics by smashing your face in with intense dialogue and imagery. After getting into these films, I started to understand their message, and some of these helped me confront some extremely distressing topics and taboos that I really didn\’t understand at the time. Obviously there are a lot of ridiculous exploitation films out there, but here are some examples of confrontational cinema that delve into some serious topics.

One of my favorite films in this genre is Combat Shock,by Buddy Giovinazzo. A Vietnam veteran returns home after experiencing the horrors of war. He loves in the slums with his wife and sickly child, he can\’t find a job, and all of his veteran friends are dying in the streets. It\’s an incredibly disturbing and depressing look into how veterans were treated (and are still treated) by the country that was supposed to be there for him. You\’re confronted with the horrors of PTSD, and mental health plays a massive part in this film, with the main character losing more faith in society, and in himself through out the entirety of this film. It\’s absolutely realistic, and it just scares you into thinking about the dog shit that soldiers have to endure when they go to war, and when they come back. I was absolutely distressed by this, and it just makes you sad for this character. A perfect example of confrontational cinema within the exploitation genre.

Films like Lars Von Trier\’s Antichrist, Larry Clark\’s Kids, and even Lucio Fulci\’s The Devil\’s Honey. They all touch on subjects that make us uncomfortable. Issues such as depression, anxiety, PTSD, rape, child abuse, drugs, STD\’s, etc etc. Of course if some of these topics are incredibly troubling to you, work your way up. When you get to something you want to delve into, go for it, because I absolutely believe that these films are therapeutic in a way, and confronting certain topics and scenarios opens up some sort of thought spectrum that just keeps you thinking. I have my own personal issues and fears, and I just went to films to help cope through some of these problems. Maybe it can work for you, but these films are definitely not for everyone. It\’s just that sometimes being shocked to the core helps. Open up to exploitative cinema, and confront the bullshit that lingers inside of you.

Maybe I think too much. But hey, I love this shit.

Preview Review: Happy Death Day – In Theaters 10/13/17

The first thing that came to mind when I saw the title \”Happy Death Day\” was the song Dethklok wrote for Murderface on his birthday. But other than that… it looks stupid. A college student relives the day of her murder over and over again until she discovers the identity of her killer. Hasn\’t this scenario been played out dozens of times already to know that it hasn\’t really worked since Groundhogs Day? That what this reminds me of, like Groundhogs Day meets Camp Daze, and then MTV bought the rights to both films just so they could make a horribly trendy PG-13 horror film with a fuckin\’ bumpin\’ soundtrack that all of the kiddies will enjoy. I didn\’t have much hope in the film to begin with. These big budget PG-13 films are a complete disaster (most of the time, not all of the time. Insidious for example is a great PG-13 horror film) and considering the director of the film, Christopher Landon, who also wrote and directed such films as Paranormal Activity: The Marked Ones, and Scouts Guide to the Zombie Apocalypse, I think this is going to be one huge stinker. I\’ll give him one point though, cause he did write Disturbia and I definitely enjoyed that when it came out.

Obviously these are opinion based and if you think this is going to a good film, then great, that\’s awesome. If this movie comes out and it\’s a hell of a lot better than I thought it was going to be, great, good for the people who worked on it. I got a couple more of these \’Preview Reviews\’ coming up in the future, so keep a look out. What are your thoughts? Let me know!