Repugnant Review: The Devil\’s Honey (1986) – Lucio Fulci

The Devil\’s Honey, written and directed by the \”Godfather of Gore\” himself, Lucio Fulci. Although, this movie wasn\’t the \”normal\” Fulci film that I\’m used to, considering it didn\’t have… well, gore! That\’s not an issue with The Devil\’s Honey though, because I honestly found this completely interesting, and it\’s probably the most emotionally complex of all the Fulci films I have ever seen. Yes, I bought it cause it was advertised as \”sleazy eurotrash\”, but I felt it went above and beyond, truly showcasing Fulci\’s film-making versatility when it came to the erotic thriller genre. I feel that the Devil\’s Honey is a deep, and brutal film about dealing with abuse, remorse, and revenge… and I\’ll explain (of course this is all my opinion, and I mean, what do I know, Fulci could of just been going for the sleaze-fest that it was advertised as.)

The film\’s main characters, Johnny and Jessica, are absolutely in love, or I guess, in lust with each other. Johnny is a sax player, and a perverted sex maniac. Every time Johnny and Jessica have a moment alone, they just begin fucking, and taking part in other sexual acts. Probably the most famous scene in the movie is when Johnny gets Jessica off by playing a sax solo directly into her pussy. It\’s insanely erotic, but a lot of that lovey dovey stuff takes a dark turn, and that\’s when we begin to see the perverse side of Johnny. He was sexually abusive, making Jessica do things that she didn\’t want to do such as record home videos, and there\’s even a nasty scene involving forced sodomy. During this brutal affair, we are introduced to Dr. Simpson, a surgeon who is in a crap marriage, and spends most of his time either banging hookers, or focusing on his work. Between the wretched romance between Johnny and Jessica, mixed with the manic adulterer Dr. Simpson, The Devil\’s Honey takes a brutal turn for the worse.

During a motorcycle ride with Johnny, Jessica is forced to play with his ding-dong while he rides. As soon as they get back to their place, Johnny begins to fool around on his bike, teasing Jessica. One bad turn and Johnny falls off the bike and strikes his head on a rock. All is well at first, but then he passes out at a recording session, and is rushed to the hospital. While this was going on, Dr. Simpson\’s wife tells him that she wants a divorce, and this absolutely throws off the doctor. This is when we find out that Dr. Simpson is the one who\’s going to operate on Johnny, but due to the stress of the soon-to-be divorce, he fucks up, and accidentally kills Johnny. Overcome with grief, Jessica vows to get revenge on the doctor that took her love\’s life. This is where the film gets very interesting in my opinion, because this is where we get to see the inner thoughts and confusion with Jessica, and her battle between revenge, and dealing with the trauma of her relationship with Johnny.

So Jessica eventually kidnaps Dr. Simpson, and ties him up at her house. It\’s quite a vicious display, with Jessica making the doctor eat dog food, whipping him, and teasing him with her body, as she is basically naked throughout these torture sequences. Meanwhile, she keeps looking back to her relationship with Johnny, and slowly realizes how cruel and perverted he truly was to her. This was my favorite part, because I think she was really able to get over the pain that she built up over the years being with Johnny, and coming to the realization that this revenge plot wouldn\’t of done a damn thing anyway. An interesting thing about the Doctor is that he kind of begins to fall for his captor, and really sympathizes with her. Eventually, both of these tortured souls embrace each other, and the film ends of sort of a good note. i mean, that\’s what i got out of it.

The Devil\’s Honey was just great. It was beautifully shot, and that\’s one thing that I\’ve been noticing with a bunch of Fulci\’s less splattery works. The story won me over, as it was emotionally complex, and Jessica was just the most sympathetic character in any movie I\’ve seen in awhile. I honestly felt for the girl, and I think this movie tastefully showcased the horrors of a toxic relationship, and the grief involved with someone living with sexual PTSD or what have you. One man\’s sleaze, is another man\’s deep emotionally driven thriller. I loved it, and I am definitely going to watch it again. This is the perfect movie for a Fulci fan who is unaware of his less gory works. You can actually get this movie in gorgeous HD thanks to Severin Films, so pick up the blu-ray, watch it, and let me know what you think!

J.R.

I\’M BACK – A Return to Repugnance

Hello everyone, how the fuck is everyone? If you\’re wondering what I\’ve been up to since last posting in January, continue reading.

This year I officially moved into my new apartment with my girlfriend, and recently found a new job. It\’s been a bit chaotic lately, but I couldn\’t be any happier. I finally have room for all of my shit! And now that I have the internet back, I can get back into watching and reviewing fucked up and ridiculously distasteful movies. I\’ve been dying to get back into this blog, and I miss sharing my love for these kind of films all over. It\’s been a blast connecting with others on Twitter and Instagram with the same devotion to the vulgar, bizarre, and brutal films of the world, and I\’m going all in with the content I\’d like to bring to you with The Repugnant Playhouse. The second half of 2018 is going to be one hell of a time, and I promise to deliver on the REPUGNANCE.

MORE GORE. MORE VULGARITY. MORE NEKKIDNESS.

J.R.

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Repugnant Review: Camp (Kyanpu) (2014) – Ainosuke Shibata

Directed and Produced by Ainosuke Shibata

Starring Miyuki Yokoyama, Rei Ayana, and Peach Momomiya

\”Camp\” is a Japanese \”rape and revenge\” thriller (a la I Spit On Your Grave) directed by Ainosuke Shibata. The film is about two sisters who wind up at an abandoned camp-site after they crash their car. At the camp, they run into five men who happen to be escaped mental patients who have uncontrollable sexual fetishes. They all go by small nicknames that link them to their particular fetish. There is Pyro (pyrophiliac), a psycho who can\’t get it up so he rapes women with a grill lighter; Hypo (hypoxiphilia), a retard who gets off at depriving his victims of oxygen; Necro (necrophilia), who only has sex with corpses (duh); Copro (coprophilia), a very silly weirdo who loves to drink piss and eat shit; Lastly, we have Thanatos (thanatophilia), the more sympathetic character who is obsessed with pain and death. Our two victims are tortured mercilessly by these men in incredibly sadistic and depraved ways, and it isn\’t until one of the sisters escapes (with the help of Thanatos), and finds help in murdering these psychos from the help of the mysterious vigilante Misaki (played by porn-star Miyuki Yokoyama, who ironically has no nude/sex scenes).

The great Troma Entertainment released this film as a double feature with Hitch-Hike (another film directed by Ainosuke Shibata) called \”From Asia with Lust Vol. 1\”. The only gripe I had with this is that it was marketed as a Japanese \”pink\” film, aka, Japanese soft-core porno. I mean, if I was to think this was erotic in anyway, I think I would question my mental state, because I didn\’t find this erotic at all. Other than that, this works really well as a traditional American \”rape and revenge\” movie, very similar to (as I stated before) I Spit On Your Grave. The scenes of rape and sexual torture were genuinely disturbing and pretty damn disgusting. There were also some moments I giggled at, and it was all dialogue based. There was one line that made me laugh in particular, and it\’s when the shit eating deviant Copro says, \”I can\’t stop thinking about the younger ones stinky butt, It looks so good! Excuse me miss? Can I take a peek at your flower? No, No! It\’s ok! I just want to lick away that shit from your butthole!\”. It\’s fucked up, but the inner man-child at me thought it was a little funny.

I was surprised. It wasn\’t that bad, at all. The torture and rape was brutal and hard to watch at times, and the ending revenge towards the sickos was pretty fun to watch. There were a couple digital effects in there that looked way out of place, but it\’s a low-budget feature that nailed everything else. Decent acting, fun violence, beautiful women, and fucked up villains. If those aren\’t the ingredients to a fucked up Japanese sexploitation flick, then I don\’t know what. If you want to check this film out I\’ll link the Troma store to this flick down below. I\’m sure it\’s on youtube for free somewhere, but you\’d be a great fucking person by buying it and supporting independent art. I\’ll get around to the other film on the Dvd, Hitch-Hike, eventually, but I got a lot of great stuff to watch in my endless stack of movies. Let me know what you think, and send me some suggestions!

The Importance of Watching Exploitative Cinema

Since I\’ve been a child, I\’ve been obsessed with horror films. Friday the 13th, Nightmare on Elm Street, Halloween, you guys know the classics, but my whole life was turned upside down when I started getting into older grind-house and exploitation films. One of the first ones I ever watched was the infamous Salo, aka 120 Days of Sodom. I was shocked, disgusted, and I honestly didn\’t even know what to think of it. I felt absolutely numb by this film and it took me a couple days to re-watch it, just to figure out what the fuck I just saw. After my second viewing, I started to enjoy it, mostly for the fact that I was paying attention to the message that the film was trying to push into my skull, and now it\’s one of my favorite films. Salo was a film about fascism, and the abuse of power and corruption that fascist countries endured during World War 2, and by facing the horrendous imagery that Pier Paolo Pasolini\’s Salo throws at you, I was able to understand the message that film was conveying to its audience. These films are confrontational, and they make you think about certain disturbing topics by smashing your face in with intense dialogue and imagery. After getting into these films, I started to understand their message, and some of these helped me confront some extremely distressing topics and taboos that I really didn\’t understand at the time. Obviously there are a lot of ridiculous exploitation films out there, but here are some examples of confrontational cinema that delve into some serious topics.

One of my favorite films in this genre is Combat Shock,by Buddy Giovinazzo. A Vietnam veteran returns home after experiencing the horrors of war. He loves in the slums with his wife and sickly child, he can\’t find a job, and all of his veteran friends are dying in the streets. It\’s an incredibly disturbing and depressing look into how veterans were treated (and are still treated) by the country that was supposed to be there for him. You\’re confronted with the horrors of PTSD, and mental health plays a massive part in this film, with the main character losing more faith in society, and in himself through out the entirety of this film. It\’s absolutely realistic, and it just scares you into thinking about the dog shit that soldiers have to endure when they go to war, and when they come back. I was absolutely distressed by this, and it just makes you sad for this character. A perfect example of confrontational cinema within the exploitation genre.

Films like Lars Von Trier\’s Antichrist, Larry Clark\’s Kids, and even Lucio Fulci\’s The Devil\’s Honey. They all touch on subjects that make us uncomfortable. Issues such as depression, anxiety, PTSD, rape, child abuse, drugs, STD\’s, etc etc. Of course if some of these topics are incredibly troubling to you, work your way up. When you get to something you want to delve into, go for it, because I absolutely believe that these films are therapeutic in a way, and confronting certain topics and scenarios opens up some sort of thought spectrum that just keeps you thinking. I have my own personal issues and fears, and I just went to films to help cope through some of these problems. Maybe it can work for you, but these films are definitely not for everyone. It\’s just that sometimes being shocked to the core helps. Open up to exploitative cinema, and confront the bullshit that lingers inside of you.

Maybe I think too much. But hey, I love this shit.

Repugnant Review: Hanna D, The Girl From Vondel Park (1984) – Axel Burger

What\’s up you Repugnant motherfuckers, enjoying the fall already? Whats a better way to ring in October than watching some sleazy, trashy, and depraved cinema. I found one you sickos might enjoy, and it\’s called \”Hanna D, The Girl From Vondel Park, directed by sleaze maestro Axel Burger (real name Rino DiSilvestro) and according to the DVD box, this film was saved from a bankruptcy auction in Rome. Thank fuck this film was found, because Severin Films took this nearly forgotten movie and restored it for our viewing pleasure. Hanna D is a brutal exploitation film following the torment of a young girl after she becomes a prostitute to support her drunken mother. This is what I call \”An Extreme Morality Tale\”, because it really reminded me of those anti-drug films from the 30\’s and 40\’s. Like \”Reefer Madness\” or \”Marihuana\”, but on bath salts.

The first thing I found particularly distressing right off the bat was that you didn\’t know how old Hanna was. The actress who played Hanna, Ann Gisel Glass, looked like she could of been 16, or 17, and seeing someone so sweet and innocent shoot up dope and fuck guys for money, it makes you squirm a bit. There are also very cringe-worthy scenes of drug use through out the entire film. It\’s almost too realistic, and considering how gritty the film was to begin with I wouldn\’t doubt a single moment that the filmmaker of this film cast real junkies and whores for this movie. It\’s a very brutal portrayal of a sweet soul cast out on the street, but it\’s also one of the most honest I feel. There are some pretty over the top moments in this film, but the story itself is fairly believable. There was one scene in particular though, that really made me jump and chuckle \”Holy Fuck!\”, and I just can\’t ruin it for you, but it does involve a hookers asshole and a vial of dope… use your imagination.

I really enjoyed the cinematography in Hanna D. It just had some of those gorgeous \”giallo\” shots and angles that really caught my eye. The acting, as far as most sleaze pictures I\’ve seen, was among the best I have seen. Ann Gisel Glass portrayed Hanna D beautifully, and Karin Schubert as her drunken mother was nearly perfect. I honestly felt bad for these characters, and what\’s better than actually getting into a film as nasty as this one. The exploitation elements just smack you in the face, but it\’s lined with some pretty deep drama, great acting, and fantastic cinematography. A great shocker overall and definitely one of my favorite exploitation films now. Like I mentioned before, you can pick up this film at Severin Films (I\’ll post a link below), and if you\’re interested, pick it up!

BUY THIS MOVIE AT THE SEVERIN FILMS WEBSITE

Repugnant Review: The Sister of Ursula (1978) – Enzo Milioni

The Sister of Ursula, written and directed by Enzo Milioni, might just be one of the sleaziest giallo films I have ever seen in my life. Barbara Magnolfi (Suspiria) and Stefania D\’Amario (Zombie) star as two Austrian sisters looking for their mother who abandoned them as children. After the death of their father, they were left with some money and booked into a hotel on the Amalfi coast in Italy, hoping to share the inheritance once they find their mother. Ursula (played by Magnolfi) seemed to be the most affected by her fathers death, and after booking into the hotel, she starts to have very violent visions of the lustful women staying at the hotel being brutally murdered. Her visions become real after many women from the hotel are brutally murdered by a mad man, and what makes this very nasty is the weapon used in the murders… a giant wooden dildo.

It seemed very common in the later years of the giallo genre to have a ton of nudity and explicit sex scenes, and The Sister of Ursula is what I might consider the holy grail of Italian sexploitation. The sex scenes almost stepped into porno territory, with in-your-face full frontal nudity, and a rainbow of different fetishes being explored. Ass eating, oral sex, masturbation, lesbianism, and sexy Italian women being murdered with a giant wooden dildo, it\’s every perverts dream. Sadly, these are the most enjoyable parts of the film, because the actual story line is quite dull, and I forgot what the hell was going on a couple times while I was watching this. You\’d be watching scenes of long drawn out dialogue, and then BAM! Gratuitous sex scene for several minutes, up close bush shots, and a gruesome murder. Barbara Magnolfi and Stefania D\’Amario were very fun to watch though, especially Magnolfi, who goes absolutely bat shit insane towards the end and I fucking loved every second of it.

This is giallo at it\’s sleaziest, and if you\’re looking for something purely dirty with lack of any interesting story, you should check it out. I\’m not saying it\’s terrible, but if you\’re expecting something like Suspiria or A Bay of Blood, you\’ll be pretty disappointed. It\’s borderline giallo, but I\’d definitely call it straight up sexploitation. If you like blood, bush, and titties over story line, then this is the flick for you, you damn pervert. I got this film in the Euro-Sleaze collection from Severin Films, along with The Sinful Dwarf and Hanna D, so expect future movie reviews with gratuitous sex and violence (and soon, dwarfsploitation!)

BUY THE EURO-SLEAZE COLLECTION HERE @ SEVERIN FILMS